When he’s not writing charming freak folk ballads as one half of Jóvenes y Sexys, or touring with Mexican pop ensemble Torreblanca, Venezuelan singer-songwriter Cheky Bertho commands the mixing board as Algodón Egipcio. (Or, Egyptian Cotton.) Four years after his debut, La Lucha Constante, Bertho gives us a taste of his next effort in “Multiestabilidad”. What’s otherwise a heavily postmodernist meditation is buried beneath a glitchy patchwork of samples mined from Multistability, the 2010 album by the visionary British producer Mark Fell.
“How can it be wrong? If what I perceive to me is real?” Bertho gently muses, “Many faces that feel an illusion, all under the same sun.” With surgical precision, he constructs a crystalline ziggurat of noise, each prismatic building block cracking under the pressure of each sound that follows. Fault lines become valleys, spilling into an array of warm tones. As scientific as his method is, Bertho’s ode to the multiplicity of reality is quite comforting. The fragments, discordant as they seem at first, fall neatly into place, clean as an expertly-played game of Tetris.